Tuesday, July 31, 2018

Upgrade poll


A belated wrap up of a poll done here. Before we get started, upgrade here is subjective. Some people feel that parts replacement is heretical because for an instrument to reflect its true worth, the original parts should stay put. Also, what's upgrade to us might not be the case with others.

Looks like the most popular upgrade is a pickup swap. We can agree that this is the most noticeable change to tone but then again, some people can hear the difference, others can't. That aside, the most fundamental agreement here should be that a different output pickup would manifest a different reaction, tonal differences included, for both clean & driven tones. The marked difference could be heard between passive & active pickups. Many of us have treaded this path & we know the outcome.

Capacitor is the interesting runners-up. This had been a recent phenomenon after stores here inventorised capacitors as replacement parts & the fact that we can purchase some easily online. Capacitor swaps are experimental because we know that it's a component that is highly unlikely to corrode or deteriorate. It's also one of the most controversial parts swap because according to the electronic engineers, the different materials involved did almost nothing to tone. 

In third position, we have a tie: Volume/ tone parts vs. nut. The thing about volume/ tone pots is that we have to replace them over time due to deterioration; oxidization, rusting, corrosion, you name it. It's inevitable. Those of us who chose to replace them before they expire, now that's experimental as well. Fender dweebs for instance, will tell you righteously that you don't quite possess the Fender tone until you have CTS pots in your instrument(s). Moving on to nut swaps, this occur more commonly with acoustic players. Solid body electric players who are in driven mode most of the time are not too particular about their nuts. Also, whether the different nut materials manifest any tonal difference, is another area of subjectivity. 

Looking at the bigger picture, we see the guitar stores here having pickups as part of their inventory (almost but not all stores). We also see stores carrying replacement parts like pots, pickup selectors, input jacks, etc. because these expendables are necessary purchases over time for instrument owners. Subliminally, stores with such spares with them display a knowledgeable front at the very least. It's a platform for technical conversation because instrument care in its basic understanding is dealing with technicalities- which pots work better with which pickups, which guitar polish gives the best gloss, which input jacks are more durable; you get the picture.

To me, parts swap/ upgrades is an adventure & the most worthwhile if we do not let our expectations get the better of us. Also, let's not impose our parts embrace unto others; what might work for us might be the formula for disaster for others. 

Monday, July 30, 2018

Snap the horizon


Some interesting LTD releases in Japan. This is the SN-1000...

... and the H-1000.


Just look at that generous belly cut. OK so these two are part of LTD's summer release in Japan. No idea if they will be offered to the international market but LTDs had been around the world with no issues. Even the discontinued limited edition LTD Elite (made in Japan) appeared in the international market with no issues. From the looks of it, the LTD range had been kept in check in terms of quality. That could only be a good thing.

Sunday, July 29, 2018

The weekend (2)


Dead pot, dead 3-way selector... was at Beez's after lunch.


Seen here, Beez dissecting my Tele. Replacement parts were the ones featured here: CLICK Need to remind myself that just because it says Fender on the pack doesn't mean parts are guaranteed to fit. Beez did some widening to make sure American parts fit into a Japanese guitar. Damn, Fender!


Always good to have something dead brought back to life so the rest of pre-dinner time was my Tele time. Have a great week ahead, everyone.

The weekend


Heading to Beez's. More on this later... 😎

Saturday, July 28, 2018

Picking Morgan


Bought these at Davis GMC today- Morgan picks. There were a few designs to choose from & I ended up with these two on grounds of being the least excessive in terms of looks/ design & preferred thickness.

These are definitely not acrylic picks; light as celluloid but tough as delrin. That left one is actually a signature model by a Danish player named Binzer. It reminded my of the Howling Monkey pistol grip feature but feels nothing like it. The right one is basically a standard selection with a fusion twist; the grip area is thick while the pointed tip sports a thinner affair. 

In use both were slippery against the strings so if you fancy this kind of reaction which inevitably manifests some speed, good for you. The pointed tip is also a popular spec for speed freaks. The grip factor here is nothing less than excellent. For those of us who dislike grip-inducing indentations, be assured that these textured surfaces are doing their job very well.

However, they are not my kind of picks. Acrylic pick surfaces rubbing against metal has that wicked friction only metal/ angry players could appreciate so there lies my loyalty. Riffing with these slippery picks don't really manifest definition. Nothing too repulsive here, just personal preference. 

Wednesday, July 25, 2018

Arrnstrong tactics


Not a fan of signatures but the new Gibson Billie Joe Armstrong LP Jr. looks simple & effective. It might be a winner with players looking for bare minimum features & maximum delivery. That pick guard however, is an indication of partial commitment- won't be surprised if there's a neck pickup cavity under it. Implication- it's a production line body with no special considerations for BJ to begin with. Unless, BJ himself told the Gibson people to include that cavity for subsequent tinkering.