Thursday, December 11, 2025

Arm the homeless


Fender has finally unveiled the Arm The Homeless guitar, having worked closely with Tom Morello. It's made in Mexico. Pickups are EMGs & the bridge is the highly acclaimed GOTOH GE1966T.


However, Fender had issued a disclaimer about this flag image on the body which is disallowed for display in some parts of the world. Do take note if you are interested.

Pics: Fender

Wednesday, December 10, 2025

YY

I have no idea if there are (still) Korn fans who are looking forward to these Ibanez K7 guitars. The price tag there is quite excessive, especially for guitars which are not made in Japan. Then again, when PRS released the SE version of the Chleo, there are people who bought them.

Pics: Ibanez

Tuesday, December 9, 2025

Connect


Ibanez Connect is the manufacturer's international get-together event for enthusiasts as well as musicians in general. In local context, it's a product / brand roadshow. 


It will make its way here on 7 February 2026. More details from Swee Lee closer to the event date.

Pics: Ibanez
 

Monday, December 8, 2025

M-II


Good to see more ESPs sporting a fixed bridge. This new M-II CTM features a Hipshot bridge, keeping things simple. However, with the ESP label on headstock, do not expect a more accessible price even if the guitar features simpler appointments.

Pic: ESP

Sunday, December 7, 2025

Gib-Sunday - MM edition


I'm very happy playing a lesser known guitar. It's a firm indicator of not yielding to trends. This Gibson Melody Maker is a good example. Nobody would be motivated to spend good money on an estranged guitar with a missing tail piece; the reason it was listed for sale.


The usual let's re-string before playing routine. Not a Roto fan, this was purchased when Swee Lee had discounts for them. They are currently OK, unlike previous episodes of rust spots & oxidation even when purchased new.

Saturday, December 6, 2025

Nylon Saturday


Masochistic Saturday - indoors with nylon strings. I definitely need more time to adapt to nylon strings. These things simply roll under my fingers while playing, making me look & sound beyond amateurish. But I deem such torture necessary to become a better player. It's when you dwell beyond your comfort zone, you are compelled to adapt & excel.


Did a re-string before play. I tried the ball-end set, now back to the tie-end method. For nylon strings, I like my action a little higher than what I'm used to when playing the acoustic. It somehow reduced the rolling phenomenon during play.