It's a wrap

There are 1001 reasons out there as to why people do a wrap over for their tune-o-matic + hard tail bridge assembly. Some cited added sustain & tension issues for doing so - good for them. My personal reason is depicted above; the wrap over method prevents the strings from coming into contact with the tune-o-matic bridge because the break angle is less acute. If strings come into contact with that tune-o-matic bit, there would be some funky buzzing happening which would highly likely annoy you. So, there.

In brief: Ibanez 540PIII

This 540PIII should have been the re-intro of the moment save for the neck width detraction. I see where Ibanez is coming from in terms of production economy; the 540PIII neck sports a generic Genesis Series reverse headstock neck to avoid the need for manufacturing a period accurate 540PIII neck. Nevertheless, another good one for the catalog.

LIKES

• fast neck
• upper fret access
• strap-on balance
• overall fit and finish

DISLIKES

• bridge pickup
• discomfort (sitting down)
• Chrome input jack while other hardware are black

Because the Genesis Series guitars are Japanese but not in the same reverence as its Prestige / J-Custom counterparts, there is actually no point for the manufacturer to replicate the 45mm nut width for nostalgia's sake. It would mean other cost entailments, the least of which would be the inclusion of a wider top lock unit to accommodate this width difference. There's already a reverse headstock neck in the Genesis production line - the RG565 / RG565R - Ibanez simply used this one for the 540PII. The current generation of Ibanez enthusiasts wouldn't mind but the purists would scream heresy. 

The 540PIII is a warped body version of an RG, that's how I see it. Warped in a good way, definitely. In fact it's visually pleasant. The not so pleasant part would be the body outline inducing some discomfort while playing sitting down. It's that lower curvature proximate to the electronic controls; this bit here got trimmed to compensate the extended treble side cutaway. However, things get interesting if you play this one strapped on; it's suddenly one of the most comfortable body shape you've come across. Adding on to the fast neck, do take note of the more generous upper fret access. The 540PIII's block heel joins the neck at the 21st fret as opposed to the RG's 17th. 

Last but not least, if you are the type who prefer keeping the default pickups in tact, that bridge humbucker, to me, is merely a get-by unit; neither special nor a dud. The neck counterpart on the other hand is above expectations especially for distortion applications. 

Final rating: 89%

Ibanez 540PIII

• available at Swee Lee ($1,749)
• bag not included

Pic: Ibanez

SJ

I'm not putting this here because of the need to celebrate another Fender product. In the wake of recent developments, celebrating anything Fender should be the least of our concern. Anyway, the Paranormal Squier instruments had been around for a while. It's arguably the very few avenues Fender could be more liberal in its feature permutations & this one is a perfect example. In the catalog, this bass is referred to as the Paranormal Thinline P-Bass SJ. The SJ here refers to the pickup configuration which features a single coil (neck) & a Jazz type counterpart (bridge). This, of course, isn't standard feature in Fender products but since its a Squier, they are more willing to try things out. 

Yes, Fender did the Alternate Reality range which are now fragments of our imagination while these  Paranormals continue to intrigue, six years & counting.

King's power

Confession - I had no patience when it comes to the older King Crimson releases. I couldn't pin it down to a particular dislike but I simply couldn't click with any of those albums. Then I came across The Power to Believe. This happened in 2003, where I was too busy checking out the dark arts of Norwegian & Swedish acts mostly. Yes, I'm a big fan of instrumentals & despite not being fully instrumental, the KC materials simply didn't appeal. What made The Power stand out from the rest of its predecessors? Heavy guitars. That's right, the band actually incorporated a more aggressive overdriven / distorted tones in this final studio adventure & it's ace to say the least. Sad that KC won't further the prog wave any more but I rest in the knowledge that something's brewing post-KC.

SPB

After days of adjustments / re-adjustments, this Squier P-Bass is ready to be returned to its owner. I usually take more time to re-string & set up a bass due to the neck issues. Once the neck is relieved of string tension, it will bow. After re-stringing, it will auto-straighten itself in accordance with the fresh string tension. At times, the neck will return to its correct nature but that's a very rare feat. This is unlike re-stringing a guitar where the neck is not physically vulnerable to changes in tension due to its shorter length. 

After talking to the owner before the re-string / setup started, I convinced him to try a set of flatwounds in view of his preference for a warmer overall tone. Also, this is his chance to experience how smooth & skin friendly flatwound strings are. Diligent wiping after play means the strings would last longer than an average wound set. On that note, check out the discounts for Rotosound strings at Swee Lee.

In brief: Kala Waterfall baritone ukulele (solid mahogany)

I am documenting this appraisal from a guitar player's perspective because I am a guitar player & this is a guitar blog after all. I purchased this ukulele for a simple reason - it features a guitar tuning (top 4 strings of the guitar: E / B / G / D) therefore I need not re-think my playing while handling one.

LIKES

• solid build
• smooth tuners
• ergonomic body edge design
• truss rod included
• warm tones

DISLIKES

• some evidence of patchy fretboard stains
• dark inlays against a dark fretboard

The thing about baritone ukulele is that, the size is almost that of a travel guitar so handling one is a familiar affair when you are a guitar player first & foremost. KALA is indeed one of the leading ukulele brands & the quality on show here is above expectations. I'm just a wee bit annoyed by the patchy stains on the fretboard which are more visible from a playing perspective. Also, I hope the manufacturer re-thinks the application of inlays which are too close, colour-wise, to the fretboard hue. The tones coming from this one are warm & favours the fingerpickers more so than the strummers; thanks to the all solid mahogany body for the most part. I particularly like the rounded body edges which make playing very pleasant compounded by the satin finish so that sticky feeling when your sweating arms & hands are in contact with the instrument is a highly unlikely affair. 

Also, coming from the guitar camp, I wish the frets are a little beefier to supplement quick single note runs during solos but then again, this is a ukulele to begin with, extended solos belong to the electric guitar so quit whining.

Special mention goes to the good people at Ukulele Movement for the very non-intrusive shopping experience.

Final rating: 89%

KALA Wave Series Baritone all solid (mahogany) ukulele

• List: $479
• Availability: Ukulele Movement
• Bag included

Pics: KALA