Showing posts with label Enslaved. Show all posts
Showing posts with label Enslaved. Show all posts

Wednesday, April 19, 2023

MOMM (40)


Depeche Mode: Memento Mori

I simply like this album. It has that lethal mix of pop & forboding atmosphere that would appeal to cult followers as opposed to casual listeners. There's a very strong Ultra vibe here which is why it clicked well with me. More importantly, the synth element did not experience any reduction since the passing of Andy Fletcher. Good release.

Enslaved: Heimdal

The Enslaved camp continues to defy black metal expectations & forge onwards into the prog realm. OK, it's not an entirely prog release, remnants of their roots could still be heard. There's a more focused composition here compared to the previous outing (utgard), putting it simply, it's not that boring. If you think Enslaved is going to revert to their formative years in terms of music-making, then be informed that this fine bunch have moved well on.

Wednesday, July 5, 2017

Last 3


Welcome, folks, to another instalment of my last 3 CDs purchase. I am extreme by nature & this interest in all things heavy metal is unrelenting as the years go by. As I am also a guitar-inclined individual, I pay special attention to extreme bands with meaningful guitar inclusions. That's right. meaningful & nothing too devotional towards shred guitar. In the case of serious technicalities manifesting in heavy music, to me, these are a real bonus. Song focus is first & foremost.

1. Enslaved- Roadburn Live
I'm not too big a fan when it comes to live recordings because chances are, the songs covered were stuff I've heard before. Also, live recordings are mostly tampered with in terms of production to cover up imperfections before selling them off thus defeating the purpose of capturing live performances. Nevertheless, I do keep a lookout for bands with exceptional live vibes & Enslaved is one of them. This collection of tunes were from, you guessed it, the band's live performance in 2015's Roadburn festival. The thing with Enslaved is, they have this prog twist in their metal since 2004's Isa & it makes listening to them very enjoyable in a live context. The highlight of this release is the concluding number which is a Led Zappelin cover, Immigrant Song, which will surely become a hit come Thor's Ragnarok movie (November 2017). Sadly, this release is also the final performance for Herbrand Larsen (keyboards) who is responsible for the band's clean vocals. As at time of posting, the band has yet to find a deserving replacement. 

2. Firespawn- The Reprobate
A meeting of potent characters- Firespawn in a nutshell. I was thinking, a supergroup like this might call it off after a spectacular debut but 18 months ahead, The Reprobate proved to be another lethal collection of songs. You might be thinking that this band is an opportunity for the members of Entombed AD/ Necrophobic/ Skin Eater/ Unleashed to further their respective band's agenda but it's simply a sum greater than its parts. To note- more lead fills heard here, guitar-wise.

3. Suffocation- ...of The Dark Light
A rather defining moment for the band with two new members Moratti (drums) & Errigo (guitars) who proved second to none in terms of expectations & technicalities. There was no pressure to outperform their respective predecessors, of course. The primary interest here, as presented by long time member, Hobbs (guitars) was whether this duo could keep up with the Suffocation philosophy. In any band context, song priority should precede other intrinsic issues. If the band gets this right, regardless of the line up changes, there will be no drastic turnover. Maybe Gilmour's role in Pink Floyd might ring a bell. After this exploit, it's good to know that Suffocation is still in tact & as coherent as ever.

Wednesday, November 7, 2012

Enslaved The Buried

2 more CDs from Inokii:
  • Enslaved- Riitiir Enslaved is a great band. More importantly, they have grown to become better. The music is a little richer with their subsequent releases, notably the incorporation of progressive elements while retaining their roots. This is one of the those bands I listen to for that feel good factor- because these chaps stick to their genre while showing the world they profess at what they are doing. Too many outfits of this ilk get away with noise as if noise is the pre-requisite for getting you somewhere in terms of music reverance. I like the guitars in this one as well, less fuzzy.
  • Between the Buried & Me: The Parallax II Before this album, I didn't bother with the band- I saw their stuff on the net; they are good but they are nothing special (these chaps performed here not too long ago). Until this one, of course. I actually took time to re-listen to selected tracks, noted some of the minor inclusions which really defined this release; it's a classic case of the insignificant inclusions defining brilliance. It's disrespectful to associate a band's capacity to another because it implies incapacity but I tell you what I hear in this release- the twisted genius of Arcturus peppered all over the songs, a very heavy Dream Theater plying the jist of it all & that Nachtmystium Assassin beeps, pops & tweets which boils down to Pink Floyd's psychedelia application- thoroughly enjoyable. Respect!

Tuesday, July 20, 2010

Album anticipations

Currently anticipating these 2 releases:

Immortal's LIVE DVD: 14th September '10


Fresh Enslaved (Ha!): September '10

Wednesday, June 24, 2009

Enslaved Gibson


The chaps from Enslaved are now officially with Gibson; what they have to say about this symbiosis: Loyalty surely paid off; now we have been admitted into the exclusive tribe of Gibson endorsed artists. The guitar work and sound is one of Enslaved’s most distinctive features – it can only sound like that with Gibson, as simple as that.