Ibanez came up with the Iron Label models in 2014 to much fanfare. These instruments were touted to be no-frills models equipped to maximize your distortion tolerance. However, it's unclear if the Iron Label category itself serves to be a series of its own or mere variation of existing models. Despite being an Ibanez fan, I personally find the Iron Label misleading & unnecessary especially so when the manufacturer added visual considerations to mark the price up (RGIX20 is an example). So we have Iron Label models costing more than Premium models & the lower tier Prestige selections; it's confusing & just doesn't make sense.
Seeing what Ibanez offers this year it seems that the Iron Label camp is here to stay but with a little twist; active electronics are non-obligatory features. The new member here is an RGD (so the RGD joins the Iron Label series) with a stunning finish but we know this isn't the first, conceptually. It's good to see a maple fretboard making its way into standard production.
And a 7-string version if you think an extended scale length just doesn't get you low enough.
If an extended scale length is not your thing, then be informed that the RGA models are in this Iron Label twist as well. Both the RGA & RGD feature DiMarzio Fusion Twist pickups. Good because you get quality tone for the money. Not so good because it will factor into the price.
2 comments:
the iron label no longer dwells in the dark side...
Translucent could be the new black?
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