Showing posts with label Evertune. Show all posts
Showing posts with label Evertune. Show all posts

Thursday, July 9, 2026

Assassin 8


Oh man, SOLAR is offering the Assassin features in an 8-string format. The one you see here is the A1.81A (A for active pickup - it's a Fluence Open Core Red). The Assassin concept is fundamentally a black-out guitar featuring a single humbucker, a single control knob & red highlights for the pickup, inlay & truss rod cover - simplet yet very intimidating for those of us who dwell in the metal zone.

Pic: SOLAR

Tuesday, June 24, 2025

Charvel Evertune


Looks like Charvel has joined the Evertune camp with this Pro MOD Plus So-Cal Style 1HH Evertune E. As it is, at least for the local players / musicians here, we are doing OK with non-Evertune equipped guitars. Yes, the Evertune systems has some plus points when it comes to tuning stability (especially for pro live performances) but there are some set-up technicalities to deal with before being ready to play. Personally, I don't have a need for my instruments to manifest such tuning stability so there's no desire to own one.

Pic: Charvel

Tuesday, April 22, 2025

Style 1 Evertune


Charvel's Style 1 model is given the Evertune bridge. I simply like the fixed bridge vibe but have not convinced myself of an Evertune need. Despite looking rather demure, this guitar sports a pair of Seymour Duncan Sentient / Nazgul pairing that would please the distortion fiends. That matching headstock just adds a bit of class here. Nice.

Pic: Charvel

Wednesday, February 5, 2025

Edwards' B-Single

Still on everything single pickup - the new Edwards E-Horizon_ET/Baritone. As the name implies, it's a baritone (27") & it's simply attractive. I'm not into the Evertune bridge so that's a deal breaker for me. There's this thing about single pickup guitars that are so... attractive. This one has a blank fretboard; absolutely my thing.

Pic: ESP Japan

Friday, November 15, 2024

SOLAR: Windstein & extended

Another signature model in the SOLAR camp - EFR1.6KW. It's the signature model for Kirk Windstein (Crowbar / Down), spec'd out for a very heavy metal application: EMG 81 / 85 pickups. That 'reverse' headstock might not sit well with some of us. 

In similar territory, there's the E1.6AAN-27. The 27 there refers to the extended scale length. This one's equipped with an Evertune bridge & a pain of Fishman Fluence Modern humbuckers.

Pics: SOLAR

Tuesday, October 1, 2024

Rowe

This is a new one by Jackson; Diamond Rowe Monarkh DR12MG. Diamond Rowe is the guitarist for Tetrarch. All these are new to me. This is what she has to say about her guitar:

Pic: Jackson

Monday, July 6, 2020

Jackson's Summer (2)


Jackson joins the sandblasted camp this Summer. Not a Floyd Rose fan but this one is a looker with a simple but attractive monochrome theme. Duncan JB/59 pairing gets my vote. (DK2 Ash)

Jackson also joins the Evertune camp with this 7-string Dinky. It's fair to say that the Evertune bridge solves tuning headaches for the performing professionals. (DK2 Modern Evertune 7)

Saturday, June 27, 2020

Price watch (10)


Before you shoot me for swaying others into a biased perspective, know that I have no intentions to discredit anyone/ any entities relating to unreasonable price issues. I have every intention for this to be informative. At the end of it all, if you exercise some thinking before buying, then my mission is accomplished.

The guitar depicted above is Ibanez's RGD61 which is a whisker shy of $1.8K. It is made in Indonesia.

This is Gibson's Les Paul Special Tribute (humbucker) lists for $400 lesser than the Ibanez counterpart. It's American.

If you are looking for a worthy investment, the Gibson is an obvious pick. The brand name ensures a good re-sale value while the Ibanez would be a lucky clearance if it could retain 60% of its original price. In this American vs the-rest-of-the-world hypocrisy, people are more inclined to go with the Gibson. American, today, implies some quality assurance but if you are a guitar geek & know what's been happening in the Gibson side of things, you'd know that QC & Gibson are hits & misses. But let's give it to them, they've been picking themselves up well after much debacle & disrepute. They have even won me over on a couple of occasions. It's a good thing.

The Ibanez, on the other hand, is still manifesting a cult appeal. Its Indonesian pedigree has yet to instil buyer confidence because in the minds of the lay people, China & Indonesia are the pariah grounds for guitar manufacturing. People don't value the finished product per se, they still choose to judge where these products are made in above all else. However, we know that China (Eastman guitars) & Indonesia (Ibanez Premium series/ Solar guitars) hold its own when it comes to construction standards. If you choose to exercise selective acknowledgements then we cannot compel you to acknowledge the Emperor is naked & his invisible new clothes were orchestrated conspiracy to begin with.

What am I driving at? Let's look at these two examples for now- the Ibanez costs more than its American counterpart but you are basically paying for the branded pickups (Lace Fluence) & bridge (Evertune) more than anything else. We know Ibanez make affordable RGD models without these appointments & these are not dud instruments (I own one) by any means. At that price point, the RGD should come with a bag but it's not offered. The Gibson on the other hand is a niche appeal. Its flat top & compensated fixed bridge is an obvious compromise leading to affordability. Some of us thrive on such limitations & would go with the Gibson any time & hey, it comes with a bag. So my friends, we assess our needs & willingness to pay for anything before committing to purchase, guitars included. In any case, if you consider the above Gibson as a direct competitor to the Ibanez, do tell us what you are smoking. 😁

Friday, September 8, 2017

Ever hip

News from the ESP camp- the Hipshot bridge option is now available for the E-II Horizon 7.

There's the Evertune version as well.

Which is offered for the Eclipse 6.

Monday, November 9, 2015

Evertune


The latest batch of LTD guitars to arrive at Davis GMC feature the Evertune bridge. This design allows the user to set their tuning over at the bridge & not to worry if they mess things over at the headstock. However much you turn those tuners at that end of the instrument, your tuning will be preserved because things can only be tampered with at the bridge. The guitars per se are LTD's top of the line Deluxe models & prices are in this bracket.

Thursday, December 19, 2013

Ola Solar

Shred/ metal stalwart, Ola Englund, has his series of Washburn guitars released recently.

As you can see here, the Solar series of guitars feature Seymour Duncan pickups & a choice of 2 fixed bridges to consider- the Evertune or Hipshot. A 7-string version of each guitar is available. Some of us are not too keen when it comes to that headstock outline but this should not stop us from acknowledging the instruments' goodness after personal evaluations.

Wednesday, December 5, 2012

Eternally in tune

It's an emotional 2012 for me as an ESP fan. Come 2013, there will be some major changes in the offerings that might dichotomize followers. I'll leave the manufacturer to unveil their grand presentation come Winter NAMM but you can read crumbs here as we go along.

Moving on, I was invited by Davis GMC to check out the new bridge that will debut in ESP's catalogues come the new year & it's causing quite a buzz in planet guitar. It's unclear as to which range of instruments will be equipped with this hardware but judging by its price implications (it's more expensive than the Original Floys Rose model), it won't be standard fittings in the lower tier instruments. I'm talking about the Evertune bridge seen here.

Some stuff that you should know:
  • It's heavy. It was fitted in an ESP Horizon NT model (which I own) & the overall weight of the instrument was on the negative register, it won't win fans who would want to play the instrument extensively, strapped on.
  • It renders your tuners useless. You need to know that the Evertune bridge was conceived to overcome tuning anomalies once it's set. The bridge accommodates your preferred tuning thereafter, virtually making it tamper proof no matter the type of tuning/tension-related abuses that come its way. This is the reason why the tuners over at the machine head have no effect once the bridge is set, ditto all your bends & wide vibrato techniques; the Evertune is immune to all that. If you wish to employ a different tuning subsequently, then the Evertune needs to be set up, it's not about turning the tuners over at the headstock.
  • It's space consuming. I have no idea why I didn't capture the cavity at the flip-side of the body- there was a huge hole there accommodating the mechanics of the bridge, extending all the way to the neck-body heel area. I could see springs & tension flaps overwhelming the cavity. If you wish to retro-fit this in your current instrument, it would necessitate a re-think on your part because should you change your mind & would want to revert to your guitar's original bridge, it would be a massive renovation work at the very least.
To be continued...

PS: Thanks Janet & all at Davis GMC for making this happen!