Showing posts with label S1. Show all posts
Showing posts with label S1. Show all posts

Monday, May 29, 2017

Selling: Swing S1 (SOLD)


Alright... letting go of my Swing S1.


In cherry sunburst finish.


Bag included. Unplayed since its last re-string.

Selling: Swing S1 (cherry sunburst finish, bag included)
Condition: 9/10
Self-collect: CCK mrt stn, no reservations/trades
Confirmation/ queries: subversion.sg@gmail.com
Price: $199 $190 (final)

Thursday, March 17, 2016

SV Guitars SALE: Recommendations (2)


Are you afraid of single coil equipped guitars featuring rosewood fretboards? Lest you forget, there's a certain Stevie Ray Vaughan whose phenomenal music reminded us of what a slight variation in preference could do. If you are on a tight budget but wish to venture into such exceptions, the Swing S1 here is actually going for less than the price of a branded replacement pickup.


This is Swing's Anniversary S2, finished in gold for good measure. It features a more straight up one volume, one tone control & a 5-way selector compared to the S1 but that Wilkinson bridge underscores its pedigree. All this for less than $400 & a gentle reminder that the SALE will see its final day tomorrow, 18th March 2016

Saturday, May 30, 2009

The SMASH lure...

The SMASH series of guitars (by Swing) never fail to impress me in terms of tone & playability. I was at Standard Value recently to purchase some accessories & I couldn't help but give the S1 another test-drive. The instrument in whole is an impressive player, through a deserving amplifier, it sounds incredible. The maple fretboard version has a more defined top end bite which a typical Strat player would love. I own the ash-bodied, rosewood fretboard version which sounds very impressive under lots of drive & I could hear the difference between these models. However, it's rather self-defeating advocating this to the masses because the general mindset is that, if the name on the headstock doesn't mean a thing, it's rubbish.

This is especially true for the impressionable youngsters out there who are starting out. I'm not blaming them for treading the Gibson/Fender path because these are indeed formidable names in the industry but there are other impressive alternatives which should be considered. The paradigm shift has not occurred... yet?