This is neither a defect nor an artistic intention but a patent pending design by Dean Zelinsky. It's an etching that stretches across the guitar's neck rear supposedly to enhance hand movements by avoiding a sticky situation when sweating takes place.
The hit here is, after a personal experience, I agree that there is a certain amount of enhanced gliding offered by this design for a simple reason; there's less wood in contact with your thumb during play. The miss is that it affects feel for many of us. Throughout my playing time, I simply couldn't ignore the fact that the necks feels different, it's grooved & manifests this apprehension of a missing component. Can you get over this after prolonged playing? High chance of adapting to the feel, no doubt. However, there are already some finishing processes in the mean time to avoid that sticky situation during play; less lacquer overcoat is one of them.
Head over to SV Guitars if you wish to have a go at the Z-Glide experience & on that note, DZPL guitars are now available there for your considerations.
3 comments:
this "dean zelinsky", is it a new brand entirely or still manifest under DBZ?
It depends on how sweaty your hands get. I have very dry hands so a nice glossy neck is favourable to me unless it's really hot like it is now then everything is sticky! Although I don't think a textured neck like these would bother me that much either. they are also a very good price imo
DZPL is an offshoot brand from him. The DBZ stuff are on their own.
I'm actually oblivious to neck feel these days, if you can play then you can play anything, it's a matter of preference :-) I used to detest Gibson (& glossy necks) necks but not any more.
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