This isn't quite the familiar Ibanez headstock. It was originally spotted on the S-Classic before its implementation in the SZ series which are (sadly) phased out to date. The pic above is my SZ2020 (disct'd) which is dear to me. Some people said I spent too much on a Korean guitar when they don't yield a tremendous gain for the money but in perspective, it apllies to other guitar brands in general; is it justified to spend excessively on an upper tier model knowing the returns are marginal?
I chose the SZ2020 because first & foremost, it sports a satin finish which is still my preferred finish type. Secondly, the default Seymour Duncans (American) are superb in this guitar through all my amps. After actually handling this guitar during its pre-purchase scrutiny, its playability & feel are simply appealing. This guitar was manufactured by Korea's World Music Company which currently handles all PRS SE models; doubting its QC would be the last thing to do.I like this guitar also for its quirky scale length: 25.1". Not as snappy as a Fender, not as boomy as a Les Paul either, very individual in its lure.
2 comments:
hey sub
SZ2020 owner myself. it's really a fantastic axe. gota admit i was a bit bothered by the MIK thing but im really glad i made the right decision on this. ur review on SOFT had a part to play it this lol ;)
great blog!
cheers
ling
the SZ2020 was a very under-rated unit. when i bought this guitar, the SZ1220 (Jap) was still available but i went with the korean instead. it's not about where it's made, it's about THE guitar in whole.
at the recent SALE, i did give the SZ4020 (through neck) another go, thought of getting another Prestige SZ in view of its recent discontinuation but it didin't click with me.
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