The real reason why I purchased the Marshall MX112 cab is seen here. I need a good, working clean tone. The best bet is to invest in a Fender amp but I'd like to capitalize on what I currently own. The cab is supplementing my JCM800 & I know what you folks out there are thinking; that's the wrong amp to be taking my cleans to another level. You are absolutely right. The 800 is known for its bark; the more distortion you pump into one, the more menacing the 800 becomes. Provided of course, you crank things up which I'm not planning to do to keep things clean. I've been plugging the 800 into a Blackstar cab all this while but I hear excessive bass in there so in the name of keeping things all Marshall-y, the MX112 was factored into the equation.
Still on the MX112 cab, the driver in there is a Celestion Seventy 80. It's best described as an outstanding no reaction model, often equipped into a budget range across manufacturers. Translation- there's nothing outstanding this driver has to offer except that it makes what you already like to hear a little more appealing. You know, removing that wee bit of harshness from the top end & making sure the bottom end doesn't boom too much that it kills definition. If you are into this kind of offering, the Seventy 80 in any manufacturer's cab should be considered.
Finally, a good clean isn't a good clean if you don't understand what goes into making a good clean; it's not the amp per se. I must say that the Tele & chorus played this one nicely (no pun intended). On that note, I'm not after a pristine, chimey type of clean, it's my type of clean- something that propels me to play & not mess up motivation considering I'm not the clean type to begin with. Also, if I'm sick of hearing too much cleans along the way, then I know what the JCM800 is good for.
Happy Tuesday, everyone. 😆
2 comments:
that CC chorus via fx-loop or front amp?
For clean- front...
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